Vignettering verdwijnt vaak als sneeuw voor de zon bij diafragmeren. Ik verwacht dat dit hier ook het geval zal zijn.
Update: even wat opgezocht op het internet.
Bron:
http://www.bythom.com/nikkor-70-200-VR-II-lens.htmFX users have sort of the opposite initial take: if corner sharpness and brightness is at all important to you, the new lens is much, much better than the old one. This becomes even more apparent on the D3x. Personally, for sports, I don't mind a drop in the corners of the old lens, but some people get upset about that. They won't with this lens. If you can ignore the corners, it's that focal length breathing that's going to dictate which lens you prefer: tight and consistent=I, loose and looser=II.
Bron:
http://www.kenrockwell.com/nikon/70200vr.htmFalloff isn't a problem with the 70-200mm VR, unless you shoot blank walls at 200mm at f/2.8. Shoot normal subjects, or shoot at less than 200mm, or stop down, or shoot in DX, and any falloff becomes invisible. The finder shows a lot of vignetting that isn't on the film or sensor. (...) The only time any of this is visible is at f/2.8 at 200mm, and when you're shooting at those extremes, falloff isn't likely to be a concern. On DX it's a non-issue, since only the middle of these images is used.
Bron:
http://www.photozone.de/nikon_ff/457-nikkor_afs_70200_28_ff?start=2There have been horror stories floating around the web suggesting the amount of vignetting and lack of sharpness of this lens at its long end is so terrible that it is barely usable on FX. Well, to put things into perspective, there is some vignetting of course and it's a little higher than it should be, in addition the extreme corners show visibly less resolution at 200 mm. However apart from these two issues the lens performs on a very high level and produces very sharp images with very smooth bokeh. The build quality is excellent, AF is very fast and silent, VR works as promised, allowing for 2 to 3 stops longer shutter times (with a suitable, i.e. non-moving subject).